在現實生活或工作學習中，大家最不陌生的就是作文了吧，通過作文可以把我們那些零零散散的思想，聚集在一塊。你所見過的作文是什么樣的呢？
七年級下冊第四單元學生作文 1
七年級下冊第四單元學生作文一
說起中國的戲曲，可真的是歷史悠久了，而且經過五千年的 沉淀，中國戲曲的種類繁多，全國許多的地方都有自己的劇種，而且都具有自己獨特的地方文化風情。所以說，我們中國，可謂是真正的戲曲大舞臺。
中國現有的戲曲劇種大約是三百六十多種，傳統劇目數更是驚人：可以以萬數計！我們知道許多劇種很多劇種都是有其獨特的演變過程，我們知道的比較有名的劇種：如京劇，越劇，吉劇等等。而且中國的戲曲與西方的戲劇不同，它有自以獨特的審美觀念與表演體系，現在就為大家介紹一些吧：“生”是除大花臉與丑角以外的男性角色統稱，里外又分“老生，小生，武生，娃娃生。“旦”是女性角色統稱，分：正旦，花旦，閨門旦，武旦，老旦，彩旦?！皟簟笔侵赴缪菪愿瘢焚|或相貌上有些特異的男性人物；“凈”又分以唱工及以工為主的花臉；“丑”扮演喜劇角色。
怎樣？
唱戲的作文 2
他從我身邊走過一一咿咿呀呀的唱著。
我以為他在唱戲，側耳細聽，渾厚的嗓音里發出聽不清的聲調，或抑或揚或高或低，時而高亢時而沉郁，我抬頭看他，白凈的臉頰上異滿了喜悅，彎彎的眉角似月牙。笑容溫暖的像陽光一般，瞬間驅散了心間纏繞的陰霾。
再次見到他是在學校的光榮榜上，他名列榜首，高中狀元。照片里干凈的白襯衣，襯得他越發帥氣。他依舊笑容燦爛眉眼彎彎。
第三次見到他，他依舊在忘我地唱著戲。我不禁對他產生了濃厚的好奇心，他到底是何方神圣？我對朋友說，你聽他在唱戲。
“唱戲？不，他沒有在唱戲，他是在說話，他小時候得過小兒麻痹癥，所以到現在說話和走路都不利索，你看?！蔽翼樦?a href=http://www.www-999906.com/jiaoyu/19362.html target=_blank class=infotextkey>朋友的手望去。
??！
他走路一跛一跛，費力的`扭動著自己的左腿，好像每走一步都需要耗費很大的力氣，我只注意到他的笑容卻忽視了他走路的姿態。
一股暖流涌上心頭，我不禁熱淚盈眶，被他強大的心靈而打動。他的陽光自信的笑容永遠帶給別人無限的正能量，可自己卻默默承擔起所有的不幸，沒有怨天尤人，沒有惆悵自卑，即便病魔纏身，即便嘲笑如云，他依舊樂觀的面對所有的困難，用最真摯最陽光的笑容帶給他人溫暖和力量。
在生活中可能也存在著許許多多這樣唱戲的男孩兒，他們的臉上風輕云淡，可誰也不知道他們牙咬得有多緊，他們走路帶著風，可誰也不知道他們膝蓋仍有淤青。
朋友，即使失落涌上心頭，即使陰霾驅散不走，也要悄悄為自己留一份陽光，照亮失望，不再彷徨，讓青春的花蕾在此綻放，樂觀的面對生活中的種種不順吧，這或許才是人生的最好姿態。
戲曲大舞臺英語作文 3
Chinese opera, with a long history, has a distinctive national style. Each type of opera has its unique charm, charm and connotation: for example, the grace and beauty of Beijing opera, the elegance and delicacy of Kun Opera, the high and sad of Bangzi opera, and the gentle and graceful of Yue Opera
But these treasures of the Chinese nation, in this pluralistic society, seem to have some untenable roots. Todays art forms are increasingly rich, and traditional opera is facing more severe tests and challenges. It is gradually forgotten by people and replaced by "fashion". More people like to pursue fashion and think that they can show themselves and get satisfaction in fashion. "Abandon the opera and cast it into fashion".
Why does traditional opera face such a choice? Is it boring? No Its because it cant resist the shock of the fashion. What is fashion? Lead the trend and pursue fashion. There is no denying that "pop" is also an art, but in reality, art.
To make a comparison, fashion is like a fashion across the sky, passing by in one stroke, short but bright. More people are amazed at its brilliance, so they abandon the tradition to catch up with fashion, and only feel the dazzling brilliance of fashion radiated in their heart can they pay attention to it. However, behind the stroke, there is silence, without any spiritual enjoyment after pursuit. The traditional opera, like a star in the universe, is not dazzling. Although it is looming, it always keeps its rhythm humming and quiet. It got rid of the noise and flashiness. In the middle of the night, a person sits quietly and listens to a opera, or makes a cup of mellow tea, watches a drama program for a while, you will feel detached nature and quiet, and feel the ancient but fresh opera is very beautiful.
This is the charm of opera, such as a breeze blowing, spirit and soul, at this moment, can be sublimated. In fact, there is no "go" or "stay" in traditional Chinese opera. It has always been a treasure of our nation, an oriental opera and an eternal historical culture.
Listen, the wind blows, the leaves swing, and the laughter of the clouds. I lost my ground and thought of the ancient and natural rhythm.
戲曲大舞臺作文 4
中國戲曲源遠流長，有著鮮明的民族風格。被譽為＂國粹＂的京劇現在被很多人忽視了，大多喜歡流行歌曲。為了讓我們喜歡國粹，了解戲曲，我們班開展了一次別開生面的戲曲知識競賽。我可為這次比賽做了充足的準備，想大顯身手一番。
在比賽開始前老師為我們詳細的介紹了游戲規則后，比賽正式開始了。
第一環節是聽曲說出戲曲中的`六個故事。此時的我繃緊了全身的每一根神經，準備槍答?？蛇^了一會兒老師告訴我們不是那一首，下載錯了，我此時緊繃的神經卸了下來。唉！老師跟我們開了個玩笑。只有舉行下一輪了。
這一環節是各大組的必答題，只見王老師向我們這組走來說到：＂請聽題，戲曲中的四大行當是什么？＂還未等我反應過來，楊學就站了起來信心十足的說：＂生。旦。凈。丑。＂全場響起了｀熱烈的掌聲。掌聲包涵了一切，她答對了，加了積分２分，接著是其他大組搶答了，他們都對了得到了積分。而我們小組卻還是零分，急死了！
下一輪搶答。我們小組成員都做好了舉手的準備，我全神貫注地注視著王老師，看著她的嘴，好像想從那張嘴中，早點把題挖出來，舉手搶答。只見王老師剛說完題目，便有幾十雙手齊刷刷的舉起，像一片森林看著其它大組的分數在不斷增高，而我們大組還在原地踏步，真是讓我們心急如焚。＂臉譜中紅臉代表什么？＂＂忠勇＂。只聽聲音從身后傳出，呀！是我們大組答的。我有了一點信心。老師又問了一道關于戲種出處的問題，王獻毫不猶豫的舉起了手，她站起來可能太過緊張半天說不出一個字來，我們小組都急了。這時她說了個詞＂河南＂。老師笑了笑說回答正確＂。真是為她捏了一把汗。
緊接著，王老師又給我們放了黃梅戲。京劇等選段，讓我們大飽耳福。同學們
也都呀呀哼唱著，都在欣賞。品味這流行樂以外的音樂。最后此此戲曲知識競賽在在美妙的曲調中化上了圓滿的句號。
在這次競賽后，我發覺其實戲曲并不像我們想象中那么無味，只要你細細去品就有不一樣的味道。愿你有一天能走進戲曲大舞臺，走進戲曲的世界！
戲曲大舞臺英語作文 5
Opera culture Chinese opera has a long history, and there are many kinds of Chinese opera. Many parts of the country have their own operas, and each place has its own unique local culture. Do not believe it? Lets go into the cultural treasure of opera and enjoy its unique beauty!
There are more than 360 kinds of Chinese traditional operas, and the number of traditional operas is even more amazing: tens of thousands! We know that many kinds of plays and many kinds of plays have their own unique evolution process, and we know the more famous ones: Peking Opera, Yueju Opera, Jiju opera and so on. And Chinese opera is different from western drama. It has its own unique aesthetic concept and performance system. Now lets introduce some of them: "Sheng" refers to the general designation of male roles except big Hualian and clown. Inside and outside, it is divided into "Laosheng, Xiaosheng, wusheng and Huasheng". "Dan" is the general designation of female characters, including: Zhengdan, Huadan, boudoir Dan, Wudan, laodan and Caidan. "Jing" refers to playing some special male characters in character, quality or appearance; "Jing" is divided into singing and work-oriented Hualian; "ugly" plays a comedy role.
OK? Do you think its interesting after reading it? In fact, there are many more! There are three major operas in China: Kunqu Opera, Peking Opera and Huangmei Opera. Beijing Opera is divided into four schools: Mei school, Cheng school, Gou school and Shang school. And we can see on TV that the face of the Peking opera character is very delicate. The actors face is painted with a certain color to symbolize his character and quality. The role and destiny is one of the characteristics of Peking Opera. Its function is to help the audience understand the plot. In short, red faces contain praise and represent bravery; black faces are neutral and represent fierce intelligence; blue faces and green faces are neutral and represent rash heroes; yellow faces and white faces are derogatory and represent guile; gold faces and silver faces are mysterious and represent gods and demons. Facial masks originated from religious and dance masks in ancient times, which are preserved in many local operas today.
Its nice to see the introduction above! Chinas opera culture is so wonderful that it cant be said for ten days and nights! Hope we can continue to carry forward it in the future!
七年級下冊四單元作文:戲曲大舞臺作文700字 6
人教版七年級下冊四單元作文：戲曲大舞臺作文800字
“戲曲”對我來說是個陌生的詞，只是一個上代人愛看的節目，遠遠不及現代的動畫片，所以我從來沒有看過，根本不了解“戲曲”的所有相關資料。
小時候，在沉悶的假期里，按動電視遙控器，不時地會發現有一些關于“社戲”的節目，但我卻毫不猶豫地跳過了，看那些有趣的動畫片。
很多熟悉歌曲，都來自社戲。比如黃梅戲《天仙配》中的歌，常常在我媽媽嘴邊掛著，不時還會哼兩下：樹上的鳥兒成雙對，綠水青山帶笑顏，從今再不受那奴役苦，夫妻雙雙把家還，你耕田來我織布，我挑水來你澆園，寒窯雖破能避風雨，夫妻恩愛苦也甜，你我好比鴛鴦鳥，比翼雙飛在人間。作文
我非常需要認識“社戲”，恰好我上了一節關于“社戲”的課。
課上，我們先聽了一首歌叫《唱臉譜》，我覺得很有趣，因為歌里有現代的音調，也有古代的。唱法。接下來是交流資料，因為我準備充分，自然也會學得很好。作文
社戲的角色分四大類：生旦凈丑，是按胡須的顏色分的?！吧狈譃槔仙?須生)、小生、武生、娃娃生；“旦”分為正旦、花旦、閨門旦、武旦、老旦、彩旦(搖旦);“凈”分為做工和唱工；“丑”是扮演喜劇的角色。我國講究用“唱念做打”四種藝術手段和“手眼身法步”五種技術方法來表現人物。
我們還欣賞了幾種戲曲劇的簡介：昆劇——中國戲曲之母；京劇——東方“歌劇”;黃梅戲——芬芳的泥土氣息。我們欣賞了我最熟悉的黃梅戲《天仙配》、粵劇《分飛燕》、豫劇《花木蘭》。
我們還學了京劇的臉譜：在人的臉上涂上某種顏色以象征這個人的性格和性質、角色和命運。紅臉含有褒義、代表忠勇；黑臉為中性，代表猛智；藍臉和綠臉也為中性，代表草莽英雄；黃臉和白臉含貶義，代表兇詐；金臉和銀臉是神秘，代表神妖。臉譜起源于上古時期的宗教和舞蹈面具，今天許多地方戲中都保留了這種傳統。
“戲曲”這個詞突然變新鮮了，我真想回到從前，看那古代的戲曲表演。
唱戲的作文 7
“梨花開，春帶雨，梨花落，春入泥……”明亮的房間里，傳出一陣陣咿咿呀呀的京劇唱腔，站在我身旁的是好友鐘文雋，我們正在老師的指導下練習唱京劇呢！
原來學校一年一度的“迎春杯”學科競賽又開始了，抱著好奇心，我跟鐘文雋一起參加了音樂比賽，這次是戲曲競賽。平時我經?？匆姀V場上大媽們在唱京劇，咿呀呀的，沒覺得有什么好聽的，這次我們竟然要親自去一探究竟！
這《梨花頌》可是大型交響京劇《大唐貴妃》的主題曲，經典之極！剛聽到要唱的曲目是《梨花頌》時，我當場頭就大了，這可比我想象的要難很多，曲折轉調的節奏，艱難古怪的發音，還有奇特的變化音，我幾次都想放棄，還好有老師的耐心指導及鼓勵，我改變了想法，并且真正體會到了京劇的美。
初到老師家，老師教我們如何發音：嘴巴張大、笑肌打開、聲音的'共鳴推到眉心……老師開始張口唱了，只見她眼睛睜大，格外有神，臉部舒展開來，笑得十分慈祥，聲音圓潤洪亮，魅力十足。我被這歌聲吸引了去，直到唱完了，還沒緩過神來，久久沉醉在京劇那唯美的韻味中。經過不懈的努力，反復推敲模仿，我終于也有模有樣地能邊唱邊做動作，從中我也切實體會到了中國戲曲的魅力所在。
戲曲競賽當天，當穿上戲服、彩鞋，化妝幻化成戲中人物時，我們都有幾分莫名的緊張和激動。閃亮的首飾、明晃晃的發簪、拖得長長的水袖，讓我們仿佛穿越成為古代柔美的窈窕淑女，因為連走路時都得小心翼翼，否則隨時都會被長衣裙牽絆摔倒，可不能像平時風一樣來去自如，頭上的發髻厚重得讓人不敢東搖西晃。
這次比賽很成功，學唱京劇的這段經歷不僅讓我對祖國的傳統戲曲京劇有了更加深刻的理解，也讓我有了敢于嘗試新鮮事物的勇氣和信心。
戲曲大舞臺作文 8
茶花女，阿芒，那寧娜，柏呂唐司……合上書，閉上眼，腦海中浮現出一個個形形色色的戲里人物；睜開眼，那些有血有肉的戲劇演員便出現在眼前。作者以一個少女的視覺，帶我們走進戲劇《茶花女》的幕后。
一本朋友帶來的刊物，讓年過半百的我，憶起了那出《茶花女》。那是我第一次演戲，扮演的`是茶花女的貼身侍女，那寧娜。聽說是演丫鬟，讓我有點兒不高興，但畢竟是第一次嘛，我既興奮，又緊張。還好，我的戲很簡單，大家都對我很照顧，他們都親切的叫我“小林子”。在拍戲的過程中，我見識了各種各樣的人，經歷了一生中不曾有過的經歷。
通過作者細膩的筆觸，把演員真實的一面展現在讀者面前。演員的演技實在是太好，所以以一個觀眾的視覺很難捕捉到什么蛛絲馬跡：有的人戲里是情人，甜甜蜜蜜，而戲外連普通朋友都算不上；有的人在戲里嬌媚刁蠻，而戲外卻溫柔可愛；有的人在戲里一貧如洗，而戲外卻是腰纏萬貫……
這是虛偽嗎？
曾經我一度是這 為什么？為什么這些人明明不想哭，卻要拼命抹眼淚？為什么這些人明明不想笑，卻要強顏歡笑？為什么這些人在戲里溫和體貼，一到戲外就趾高氣揚？……為什么？換作是我，我絕對做不到。
作者很好得回答了這些問題：“演戲是別人的藝術，而生活是自己的藝術?！?/p>
我恍然大悟——演戲是演員的工作，他們的任務就是讓自己變成所要扮演的角色，出色的演技會讓觀眾更好得理解角色，而不是演員這個人；但在戲外，他們有自己的生活，他們無需被戲里的角色左右。
我想一個真正的好演員，是分得清演戲和生活的，他不僅有出色的演技，也能在生活中扮演好自己的角色。人生如戲，戲如人生。不僅僅是演員，愿每個人，都能在人生的大舞臺上占得一席之地。
七年級下冊語文第四單元知識點 9
一、課文內容梳理
《葉圣陶先生二三事》從治學、待人、為文等方面記敘葉圣陶先生生前的一些瑣事，表現了先生待人寬、律己嚴的品德。語言平實樸素，感情真摯動人。
《驛路梨花》這篇文章，從整體上看是按“我們”的所見所聞的時間順序組織材料的，是順敘，在順敘過程中又有插敘；如果按小茅屋的產生及遷延過程看，又是溯源的倒敘，恰似倒卷珠簾。在情節的安排上，作者巧妙地設置懸念和誤會，使情節富有戲劇性。整篇文章，短短的篇幅，卻形成了路轉峰回、跌宕起伏之勢，讀來很有味道。】
《最苦與最樂》中，梁啟超從最苦和最樂兩方面來談人生的責任，告誡我們：人生在世，必須要對家庭、社會、國家以及自己盡到應盡的責任，這樣才能得到真正的快樂。
《短文兩篇》中《陋室銘》《愛蓮說》立意鮮明，是作者對自己志趣與節操的表白。我們要體會古人立身處世的崇高境界?！?/p>
二、單元字詞匯總
13．葉圣陶先生二三事
誨人不倦? huì? rén bù juàn：教導人特別耐心，從不厭倦。
商酌 zhuó：商量斟酌。
不妥 tuǒ：不好，不合適。
付之一笑：比喻不計較，不當一回事。
累 léi 贅 zhuì：指拖累、麻煩。
別 biè 扭niu：這里指說話、作文不通順，不流暢。
拖沓 tà：形容做事拖拉。
14．驛路梨花
延伸：延長，伸展。
迷茫：廣闊而看不清的樣子。
簡陋：(房屋、設備等)簡單粗陋。
悠閑：閑適自得。
恍 huǎng 惚 hū：精神不集中，神志不清。這里指夢中看得不真切的樣子。
暮色：傍晚昏暗的天色。
紅潤：紅而滋潤，多指皮膚。
漫步：沒有目的悠閑地走。
晶瑩：光亮而透明。
折損：這里指對方禮節過重，自己承受不起。
修葺 qì：修理(建筑物)。
15．最苦與最樂
契qì：用刀子刻；證明買賣、租賃、抵押等關系的憑據；符合。本文取第二種意思。
失意：不得志。
達觀：對不如意的事情看得開。
如釋重負：好像放下了沉重的負擔。
悲天憫 mǐn 人：對社會和人類的災禍苦難等表示憂慮和同情。
海闊天空：形容大自然的廣闊，也比喻想象或說話毫無拘束，漫無邊際。
心安理得：自信事情做得合理，心里很坦然。
任重道遠：擔子很重，路程又長，比喻責任重大。
無入而不自得：語出《禮記·中庸》。意思是，君子無論處在什么境遇都能保持安然自得。
戲曲大舞臺作文 10
中國戲曲源遠流長，有著鮮明的民族風格。被譽為”國粹”的京劇現在被很多人忽視了，大多喜歡流行歌曲。為了讓我們喜歡國粹，了解戲曲，我們班開展了一次別開生面的戲曲知識競賽。我可為這次比賽做了充足的準備，想大顯身手一番。
在比賽開始前老師為我們詳細的介紹了游戲規則后，比賽正式開始了。
第一環節是聽曲說出戲曲中的六個故事。此時的我繃緊了全身的每一根神經，準備槍答。可過了一會兒老師告訴我們不是那一首，下載錯了，我此時緊繃的神經卸了下來。唉！老師跟我們開了個玩笑。只有舉行下一輪了。
這一環節是各大組的必答題，只見王老師向我們這組走來說到：”請聽題，戲曲中的四大行當是什么？”還未等我反應過來，楊學就站了起來信心十足的說：”生。旦。凈。丑。”全場響起了‘熱烈的掌聲。掌聲包涵了一切，她答對了，加了積分２分，接著是其他大組搶答了，他們都對了得到了積分。而我們小組卻還是零分，急死了！
下一輪搶答。我們小組成員都做好了舉手的準備，我全神貫注地注視著王老師，看著她的嘴，好像想從那張嘴中，早點把題挖出來，舉手搶答。只見王老師剛說完題目，便有幾十雙手齊刷刷的舉起，像一片森林看著其它大組的分數在不斷增高，而我們大組還在原地踏步，真是讓我們心急如焚。”臉譜中紅臉代表什么？””忠勇”。只聽聲音從身后傳出，呀！是我們大組答的。我有了一點信心。老師又問了一道關于戲種出處的問題，王獻毫不猶豫的舉起了手，她站起來可能太過緊張半天說不出一個字來，我們小組都急了。這時她說了個詞”河南”。老師笑了笑說回答正確”。真是為她捏了一把汗。
緊接著，王老師又給我們放了黃梅戲。京劇等選段，讓我們大飽耳福。同學們
也都呀呀哼唱著，都在欣賞。品味這流行樂以外的音樂。最后此此戲曲知識競賽在在美妙的曲調中化上了圓滿的句號。
在這次競賽后，我發覺其實戲曲并不像我們想象中那么無味，只要你細細去品就有不一樣的味道。愿你有一天能走進戲曲大舞臺，走進戲曲的世界！
戲曲大舞臺作文 11
《戲曲大舞臺》全國許多地方都有自己的劇中，可謂百花齊放，異彩紛呈。每個地方的戲曲，都具有自己獨特的地域文化風情，如昆曲的典雅精致，粵西的輕柔玩，可以說一方水土造就一方戲曲。今天，就讓我們走進民族文化的寶貝——吸取天地之中，去感受他撥打的內涵，去品味它悠長的韻味吧。
我國的戲曲，歷史悠久，種類繁多。據統計，全國現有的戲曲劇種約有三百六十多種，傳統劇目數以萬計。很多劇中，都有其獨特的演變過程。如大家都知道的京劇，就是由安徽的徽調和湖北的漢調及昆曲、秦腔糅合發展而來的；東北的吉劇，是由民間說唱藝術二人衍化而來的。 中國的戲曲和西方戲劇不同，他有自己獨特的審美觀念和表演體系。比如我們經常在洗禮看見的大花臉，那就是戲曲中的一個行當。戲曲劇種人物由生、旦、凈、丑等不同行當來充任。表演上也具有中國傳統美學的協議特點，比如用幾個龍套表演就代表千軍萬馬，舞臺上開門關門等也往往用虛擬的動作來表下。 中國的戲曲，真是幾天幾夜也說不完。
“戲曲”對我來說是個陌生的詞，只是一個上代人愛看的節目，遠遠不及現代的動畫片，所以我從來沒有看過，根本不了解“戲曲”的所有相關資料。 “戲曲”這個詞突然變新鮮了，我真想回到從前，看那古代的戲曲表演。
描寫戲曲文化的作文800字 12
一、自查情況
為了提高公司的管理水平，加強員工的考勤管理，我們對公司的考勤情況進行了自查。自查結果顯示，公司的考勤管理目前存在以下問題：
1、考勤方式不規范。
公司用的考勤機器和考勤卡管理沒有和員工簽訂考勤管理規定，沒有確定考勤的規范方式，導致考勤數據的準確性無法保證。
2、考勤數據異常處理不及時。
在考勤過程中，因為一些意外情況，有些員工的考勤數據是異常的。但這些異常數據沒有及時被發現和處理，使得考勤數據的真實性和準確性無法保證。
3、考勤記錄缺失。
在考勤管理中，一些員工的考勤記錄被遺漏或者未能及時登記，使得員工的考勤數據不完整，無法及時準確地反映員工的實際工作情況。
4、考勤管理責任不落實。
公司未明確考勤管理的責任人和責任部門，導致在考勤管理過程中，存在管理責任不明確、責任不落實的情況。
二、整改措施
針對上述問題，我們提出以下整改措施：
1、規范考勤方式。
公司應該與員工簽訂考勤管理規定，并確定考勤的`規范方式?？记跈C器應該進行調試和維護，保證考勤數據的準確性。
2、異常數據及時處理。
公司應該建立異常數據及時處理機制，明確異常數據的處理流程和責任人，保證考勤數據的真實性和準確性。
3、完善考勤記錄。
公司應該落實考勤記錄的登記和備份工作，建立考勤記錄的完整性和及時性，保證員工的考勤數據準確性和實時性。
4、責任人明確。
公司應該明確考勤管理的責任人和責任部門，建立考勤管理的責任體系，保證考勤管理的責任明確、責任落實。
三、建議
1、定期檢驗考勤機器，保證考勤數據的準確性。
2、在考勤管理過程中，員工應該如實記錄工作情況，不能隨意更改考勤記錄。
3、在考勤管理過程中，管理人員應該及時與員工溝通交流，發現問題及時進行處理。
4、在考勤管理過程中，管理人員應該落實到每個人，每個崗位，每個部門，防范考勤管理漏洞。
總之，考勤管理是企業的基礎性管理工作，必須要嚴格落實和規范，才能夠為企業的管理水平提供有力的支持和保障。我們相信，通過本次自查和整改，在考勤管理方面的問題一定會被順利解決，為公司的發展注入新的動力和活力。
戲曲大舞臺英語作文 13
Chinese opera has a long history and is a classic of our country. Different regions have their own styles and characteristics of opera, which are pleasing to the eye. Some of its plots are tear jerking, while others are inspiring, colorful, and stunning.
When I was young, when I saw my parents watching opera, I always thought they were too old-fashioned and couldnt keep up with the trend. I wouldnt even go watch that outdated thing if I were beaten to death.
As the saying goes, "To know the taste of pears, its best to taste them with your own mouth." If you dont taste them, youll be surprised! In todays Chinese class, when I cherished and carefully appreciated the unique Chinese opera, I was truly shocked. It turns out that our Chinese national opera has such artistic charm! I am truly a frog at the bottom of a well! How can foreigners compare with the treasure left by the old ancestors? No wonder the older generation is so passionate and fond of these operas.
Only now do I realize what it means to be a Chinese without watching operas. isnt it? These operas are like a part of the history of our country. Only those who know how to appreciate them, those who know how to pay attention to them, and those who know how to dig them can be called real Chinese. Because they deeply understand a truth, opera is our national treasure, opera is our quintessence, opera is our national opera! How can we forget them? In todays society, as teenagers, our vision has shifted to popular music, film and television, and the internet. It seems that we have forgotten the traditional art of our Chinese nation. In fact, when we carefully appreciate our opera, we will find that they are like wonderful historical stories, presenting the picture of history to us one by one, leading us into the tunnel of history, immersing us in the scene, and leaving us deeply moved.
How can we forget the artistic charm of traditional Chinese opera? We should appreciate the traditional art of our Chinese nation more, let it shine forever, and let it be passed down from generation to generation!
戲曲大舞臺英語作文 14
Chinese opera has a long and rich history, with a distinct national style. Each type of opera has its own unique charm, charm, and connotation: such as the elegance and beauty of Peking Opera, the refinement and refinement of Kunqu Opera, the high pitched and melancholic tone of Bangzi Opera, and the gentle and graceful tone of Yue Opera
But these treasures of the Chinese nation seem to be somewhat untenable in todays diverse society. Nowadays, with the increasing richness of art forms, traditional opera is facing more severe tests and challenges. It has gradually been forgotten by people and replaced by "pop". More and more people like to follow pop, thinking that in pop, they can show their true selves and gain satisfaction. Abandon traditional Chinese opera and embrace its popularity.
Why does traditional Chinese opera face such a choice? Is it boring? no Its because it cant resist the strong impact of popularity. What is popularity? Leading the trend and pursuing fashion. Undeniably, popularity is also an art, but it is an art in reality.
To put it in a metaphorical way, fashion is like a star that crosses the sky, passing by briefly but shining brightly. More people are amazed by its brilliance, so they abandon tradition and pursue fashion. In their hearts, they only feel the dazzling radiance emitted by fashion that catches their attention. Little did they know, behind a stroke, there was silence, without any pursuit of spiritual enjoyment. Traditional opera, on the other hand, is like a star in the universe that is not dazzling and dazzling. Although it appears and disappears, it always maintains its own rhythm and sings peacefully. It has freed itself from the hustle and bustle and extravagance. Late at night, sitting quietly alone, closing your eyes to listen to a piece of opera, or brewing a cup of fragrant tea, watching a drama program for a while, you will surely feel a transcendent nature and tranquility. You will feel that the ancient yet fresh opera is very beautiful, very beautiful.
This is the charm of opera, like a gentle breeze blowing, where both spirit and soul can be elevated at this moment. In fact, there is no such thing as "go" or "stay" in traditional Chinese opera. It has always been a treasure of our nation, an opera of the East, and an eternal historical and cultural heritage.
Listening, the rustling of the wind, the swaying of the leaves, and the laughter of the clouds, are the melodies that I lost myself in and thought of, ancient and natural.
唱戲的作文 15
“藍臉的竇爾敦盜御馬，紅臉的關公戰長沙……”我的爺爺酷愛戲曲，每天都咿咿呀呀的哼著，自從爺爺學會放電視后，那戲曲的聲音更是傳遍左鄰右舍，震得我的耳朵呀，都“嗡嗡嗡”的響。
對我而言，戲曲就是那種一句話都要說個好長時間，弄得人不耐煩的電視劇，還有那正不正斜不斜的音調，真是太難聽了。爺爺卻總是聽得不亦樂乎，要我說，那些流行歌曲比這土里土氣的腔調好聽多了?！盀榫壤罾呻x家園，誰料皇榜中狀元……”唉，你瞧瞧，他又開始聽了。我捂住耳朵在一旁寫作業，但那長長的音調還是直往我耳朵里鉆。就這樣，戲曲一直是我的仇敵。
陽光正好，微風不燥，這天下午，學校要舉辦“戲曲進校園”的活動。操場邊站滿了老師，還不時有些爺爺奶奶輩趕來，他們或坐或站在操場邊沿，目光都向著舞臺。我真的是搞不明白，為什么會有這么多人喜歡聽戲曲呢？
帶著疑惑，表演開始了，當歡快的音樂聲響起，一位妙齡少女邁著輕快的小碎步走來。那一身五彩斑斕的衣裳讓人眼前一亮，長袖飄蕩，一身粉梅色紗衣，月牙白的衣裙，多么引人矚目。“真美啊！”我一下入了迷。當聽到《天仙配》中的“荒郊野外，孤男寡女，拉拉扯扯，成何體統”這一句，看到一個拄著拐杖的老爺爺跳出來時，我不禁笑了。這種令人回味的腔調，這種故事性的表演，一下吸引住了我的眼球。這就是戲曲的強大吸引力嗎？有這樣幾句諺語：“嘴上沒有功，吐字聽不清?！薄白植徽牪磺?，腔不回不中聽?！薄皟染氁豢跉?，外練筋骨皮。”我想臺上一分鐘，臺下十年功，為了能把精彩呈現給大家，演員們付出了多少的辛苦呀！我的家鄉就有種很出名的戲曲叫做目連戲，戲中也穿插了不少雜耍表演，如度索、翻桌、蹬罈、跳索、跳圈、竄火等。當我認識到這種戲曲時，我可謂是十分震驚，那種高難度表演深深的震撼了我---這才是真功夫?。∵@才是傳統文化的'底蘊和魅力呀！我耐心地，從頭到尾的看完了所有的表演，那悠揚悅耳的腔調，那繪聲繪色的表演，一直在我心頭蕩漾……
“用目來觀看，捉到個賊姑娘……”黃梅戲又響了起來，這次，我跟爺爺一起坐在電視機旁，聽著這悠揚的腔調，看著那精彩的表演，搖頭晃腦，不亦樂乎。
初一下冊語文第四單元作文:與戲曲結緣作文800字 16
初一下冊語文第四單元作文：與戲曲結緣作文800字
一平一仄，一高一低，我細細聆聽著委婉的唱調，一股細膩的感動從心底涌出，一切，只因我與戲曲結緣。
與戲曲結緣，看繁多劇種舞動乾坤，驚嘆中華文化魅力無限。
婉轉的腔調，生動的色彩，一句句戲調唱遍天下曲；悠久的歷史，豐富的內涵，一聲聲唱出中華魂。
婉轉腔調舞劇種。
高亢的語調，道盡獨特地域風情。雍容華美的京劇，典雅精致的尾曲，高亢悲涼的梆子戲，輕柔婉轉的戲劇——一字一詞從嘴中蹦跳而出，道盡人間世態炎涼。歷史的厚重沉淀漸漸化作一高一低的動聽語調，從人的心底涌出，回味歷史的深沉韻味。
獨特繁多的不同劇種，舞出中華文化的博大精深。與戲曲結緣，賞多彩流派綻奇葩。
百花齊放創流派。
各種流派綻放戲劇最美麗的浪漫花朵。畢生追求藝術頂峰的梅蘭芳，用一世的才華創建梅派。程硯秋用深邃曲折的唱腔塑造一個個外柔內剛的程派經典。荀惠，用柔媚婉約的風格將一個個天真活潑的荀派少女送入萬家燈火。舞動的身姿，婀娜的舞態，傳神的演繹，一個個婦女形象漸漸從歷史深處過渡，百花齊放的各種流派，創出中華文化的眾彩紛呈。與戲曲結緣，賞多彩流派綻奇葩。
五彩繽紛繪臉譜。
紅黃藍黑，色彩相交，在碰撞間激起萬千火花。血戰長沙的關公，赤紅的雙頰忠勇當先；一聲喝斷長坂橋的張飛，深黑的面龐猛智依舊；奸險狡詐的曹操，月下煮酒的白色面孔令人生畏。微聳的雙眉縱出一生的輪回，交錯的畫紋印出一代代英雄與小人交錯的歷史痕跡。變幻的色彩猶如印記了人的靈魂，在歷史深刻的步履中滲透絲絲正義的批判曙光。
對比鮮明的。五彩臉譜，繪出中華文化的正直向前。與戲曲結緣，繪五彩臉譜震中華。
鏗鏘的曲調中是人們流傳的智慧源泉，一詞一句的肺腑之言漸漸傳承了多彩的文化。放下繁重的世俗塵埃，為何不停下腳步，細聽曲折直緩的多變曲調綻放的五彩花朵，慢品在靈魂深處磨出回響的悠悠韻味？
婉轉的曲調，生動的色彩，細聽，乾坤曲，動中華——
一平一仄，一高一低，我細細聆聽著委婉的唱調，一股細膩的感動從心底涌出。一切，一切，只因我與戲曲結緣。
戲曲大舞臺英語作文 17
Last weekend, the teacher assigned a practical assignment for us to learn opera at home.
After school, I hurriedly returned home and opened my phone to search for opera. I havent thought about what drama or song to sing yet, so I searched online. I watched a lot of things and finally chose to sing Huangmei opera. But there are many songs in Huangmei opera, I dont know which one to sing well, so I have to search online again. I have looked at some rankings, and the only Huangmei opera that ranks higher is Who would have expected to be the top scorer in the imperial list of female consorts. I heard from netizens that this opera is easy to learn and I quickly started learning it.
I ran to the back room, closed the door, and listened to this song. I have listened to it many times, but I still cant sing at all. I think this wont work, we need to try other ways. I think we can memorize the lyrics first and then learn the song. So, I went to search for lyrics. But I cant remember the lyrics either. Is this what the netizen said about being easy to learn? I might as well close my eyes and hum softly to the music. I finally have some understanding. Ill keep humming until I cant get out of tune. I have gained a sense of accomplishment. I opened my phone again to look at the lyrics, followed them line by line, and finally sang them all together. I had a feeling of singing earlier, but Im still not very familiar with the rest. I was planning to practice again, but its time for dinner.
I hurriedly finished dinner and started practicing again. For now, I think we should only practice the second paragraph and become more proficient in it. I used the same method as the first paragraph in the second paragraph, so it was faster than the first exercise. Now, I can finally sing with great effort, I want to practice more proficiently.
I had some confidence, so I opened a song recording software and wanted to record and listen to it. I started singing safely earlier, but later on, I sang the lyrics incorrectly in many places. I listened to the recorded music once and practiced the parts where I didnt sing well a few times.
I can finally sing this opera.
戲曲大舞臺英語作文 18
It should have been a sunny afternoon, but the sky was getting darker and darker, indicating the arrival of a storm. Rain has already fallen densely on me. I quickened my pace, I dont want to get drenched.
Passing by the square near my home, on the stage set up yesterday, the actors are rehearsing intensively, each move with extraordinary momentum, and their strong and round voices are as beautiful as heavenly music. I stopped for a while, then didnt dare to stay any longer - the rain had rained much harder. Hurriedly returning home, I saw the group of actors holding up umbrellas and still singing and dancing from the window. The thought of unfinished homework leaves me with no time to continue reading.
The rain is still falling, but its getting more intense. The hour hand pointed to seven, and the Yue opera actors took the stage on time. They were dressed in oversized costumes, painted pretty faces, and wore bulky headbands. Although beautiful, the heavy rain had already soaked the costumes, blurred the face, and made the crown of the head unstable. They didnt give up, still with solid steps, confident posture, and unique singing style, but what they offered was... an empty audience.
Curiosity drove me down the stairs with an umbrella. As soon as I stepped out of the door, a cold wind made me shiver, but the actors on stage, their wet clothes dragging water, did not affect their agile posture in the slightest. In the heavy rain, the more you jump, the more beautiful it becomes, and the louder you sing.
People say, One minute on stage, ten years off stage. But how much sweat and tears did they leave behind in this hour? On stage, its glamorous and glamorous. Do we just need to idle around all day, eat, drink, and have fun? No, its not. No one knows or wants to know, what the audience cares about is only the most exciting moment on stage, and what the actors cherish the most is also that moment. What they offer to the audience is the highest quality joy, leaving themselves with double the pressure and eternal back pain.
The singing lingers in my ears, accompanied by the sound of rushing rain. This opera in the rain is unforgettable.
